Cheese''s decision sounds contradictory. He knows that continuing to investigate the identity of the speechless will have a deeper conflict with his forces. At this time, his better solution should be to lock the speechless directly through magic.
This can be done for mages. Catching wind and shadow means nothing in other contexts, but not for mages. The wind can bring information and the shadow can be caught.
In fact, not long ago, cheese caught one with a dream net, although the shadow was left in the totem school. In short, in a city whose name may become a talisman, it doesn''t need to do it yourself.
But he didn''t. Compared with solving this grievance by means of mages, cheese''s current style is obviously more secular and easier to bring trouble. Does he not understand that his whereabouts have been paid attention to by others? He didn''t know about it. Would it be absolutely noticeable to visit the plastic school again?
Of course, he can foresee the consequences and possible blocking, but he still wants to do so, because the mage''s means can only solve small problems. Yes, it''s a small problem. Killing the enemy and cursing the target is just the resolution of personal hatred. In addition to the more sophisticated method, it''s no essential difference from a rogue hiding around the corner with a pig killing knife to kill another rogue. He doesn''t want this.
If the experience along the way brought any enlightenment to cheese, it is to tell him that the superior and inferior means can not change the essence of what he has done. Attack and vendetta are barbaric and cowardly practices, because they can''t solve the problem, they want to destroy the foundation stone of the problem. Just like lies, lies temporarily solve the problem, but they will force them to tell more lies, and finally form a huge network of lies.
The cornerstone of destroying problems is the ingenious approach. When people begin to get used to this approach, they no longer have the ability and courage to solve problems positively. Moreover, there are always some people, some things and some contradictions that can not be solved by such ingenious means.
"Where are you going? Are you going to leave me here? With this mortal and the civilian who broke my knee?"
Lynn is a mage in the end. She has a keen grasp of the subtle way of information transmission between cheese and sword seven, or has an insight into their intention from their action trend. But it may just be pure neuroticism or the so-called woman''s intuition.
"You don''t have to know where we''re going. No, you''d better know. We''re going to the plastic school."
The hesitation of cheese is kind. He can say nothing, and he should say nothing. But the consequence is that if someone comes to the hotel after they leave, they may kill without any information. Telling Lynn some information is also a chip to save her life.
"Don''t worry so much. We won''t leave until tomorrow morning, and I''ll lay a stake before I leave. It''s full of magic here. It doesn''t take a long time to run in, and it will take effect soon."
The so-called wooden stake is a common means for mages to hide their homes. The general content is to nail the wooden tenon engraved with mantra into the land around the residence. After running in for time, the wooden tenon will be connected with the earth and become a magic boundary that will take effect for a long time.
The functions of these boundaries include, but are not limited to, covering the residence with a fog that cannot find a way out, replacing the original position of the residence with a mirage, or simply calling a rainstorm to stop the hostile person when he approaches.
However, those powerful wooden piles need to be strengthened over the years. Their initial effectiveness is likely to only trip people who pass by. When a group of wooden piles can play the effectiveness expected by the designer, it often takes years or even decades of waiting and maintenance.
Cheese naturally has no time to wait here for his stake to run in with the land. As he said, the boundary he wants to set depends on the rich magic of the city of ten thousand dharmas. Using this lingering power, weavers can weave many exquisite spells that mages can''t imagine. Those spells don''t need to be strong, just make sure they work.
Lynn knows the meaning of the wooden stake. She also knows that many spells that need to be nurtured for a long time in the outside world can be cast faster in the city of ten thousand dharmas, but the so-called faster is to turn two minutes into one and a half at most. The wooden stake needs several weeks of preparation just to lay the foundation, and it can''t work immediately.
However, this idea gradually disappeared when cheese removed a chair and began carving with the support of the chair.
"You''re not carving runes. What are you making?"
Naturally, the wood used as the pillar of the chair will not be any valuable or rare wood, the material is not good or bad, and the appearance is covered by paint. Such a thing can not be used as a wooden pile in the conventional sense.
But cheese didn''t care. He took a dagger in his hand and cut one side of the stake into shape with a knife, instead of carving runes upward.
"Inspiration from others may be useful." The grey robe answered quickly, and the movement in his hand was slow. He seemed to be thinking about how to cut.
When the night shrouds, the light of the dawn breath can still reflect the focused figure of the grey robe. Sword seven can probably guess why cheese has to spend so much energy to make this protective measure. As they said before, there are not a few enemies in this city, and they do not have the school as the original mages here. Neither the goblin Research Institute nor the totem school is a truly reliable shelter.
If you don''t have a safe stronghold, you can make one yourself. It''s hard not to pour out the ash robe. When the surrounding environment is unsafe, a camp that can provide the most basic functions is more precious, which coincides with the strategy of the Crypt Lord.
"What are you, stone lion? No, you should say wood lion." Jian Qi''s eyes are very good, so he can judge according to some reserved wood when the carving is not formed.
"Yes. But it''s really difficult to carve. Although I''ve seen those lions, it''s very difficult to copy any of them. I can only simplify it."
This is not modesty. If the wooden lion carved in the cheese hand had not seen the stone lion and compared it, it could not see its image at all. We can only guess that it was a crouching state of a wild beast.
However, this is enough. The grey robe is not a carving master, nor does he want to make works of art. The reason why he chose the lion shape is inspired by the stone lion statues in the running city and the totem school, and uses the image to replace the rune, so as to enhance the effectiveness.
This is also thanks to the fact that cheese has been engaged in anatomy for many years and is also proficient in the drawing of magic array. If the two are missing, he can''t make even the most crude statue. After all, it is a creation that takes effect with the help of totem. If it is really carved without even a trace of charm, he has to burn it as firewood for heating.
"It''s still a long night. I have to make at least four stakes. Take them to rest first. We''ll start as soon as dawn."
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