Qin Feng carefully selected five design drawings.


    Because of the great prize given by Jiacheng, these five design drawings are not just the design drawings of a simple performance hall, but the design drawings of a whole block.


    Relying on this main building, namely Qinfeng piano interpretation Pavilion, build a music community nearby.


    Five design drawings are very characteristic.


    Basically, all are in line with the concept of music community.


    However, from Qin Feng''s point of view, one of the most satisfied is the Qin Feng piano interpretation Pavilion in the middle of Gongwei, which is represented by eight ancient Chinese musical instruments and distributed in eight directions of the whole community.


    This is similar to the eight diagrams.


    The eight musical instruments are pipa, chime, Xiao, Se, Qin, long, Sheng and drum.


    These eight musical instruments also correspond to eight tones: gold, stone, earth, leather, silk, wood, Pao and bamboo.


    Pipa, originally called "Pi Ba", is a plucked instrument. It was recorded in Liu Xi''s book "Shi Ming. Shi Yi Yi instrument" in the Han Dynasty: "the batch was originally from Hu Zhong and was immediately drum. When you push your hand, you say "approval", but when you lead your hand, you say "handle". It''s like a drum, because you think it''s also named. " This ancient Chinese means: Pipa is a musical instrument played on a horse. It is called Pipa when it pops forward and Pipa when it is picked back; It is named "Pi Ba" (Pipa) according to its playing characteristics. In ancient times, beating, hitting, playing and playing were all called drums. At that time, nomads were good at playing Pipa on horses, so they were "drummed by horses".


    Chime bells, a large-scale percussion instrument of the Han nationality in ancient times, rose in the Western Zhou Dynasty and flourished in the spring and Autumn period and the Warring States period until the Qin and Han Dynasties. It is made of bronze. Flat and round clocks of different sizes are arranged according to the order of pitch. It is hung on a huge clock frame. It can beat the copper clock with a T-shaped wooden hammer and a long rod respectively, which can produce different musical sounds. Because each clock has different tones, it can play wonderful music by beating according to the sound spectrum.


    The history of Xiao can be traced back to ancient times. Archaeology shows that at present, bone sounders with a history of more than 7000 years have been found in the unearthed cultural relics, which archaeologists call "bone whistle" (the cultural relics unearthed in Hemudu, Zhejiang Province, extant Zhejiang * * * *). At the same time, Xiao is divided into Dongxiao and qinxiao, both of which are single pipe and vertical blowing. It is a very ancient Han playing instrument. The tone is mellow and gentle, quiet and elegant, suitable for Solo and ensemble. It is generally made of bamboo with blow holes at the upper end. It can be divided into six hole Xiao and eight hole Xiao.


    The origin of se is very old, and it accounts for the largest proportion of string instruments found in archaeology. Its unearthed sites are concentrated in Hubei, Hunan and Henan provinces, and most of them come from Chu tombs in the Eastern Zhou Dynasty. In other places, only a few were found sporadically. The shape of the harp is like a piano. There are 25 strings with different thicknesses. Each string has a column, which is fixed according to the pentatonic scale. The earliest harp had fifty strings, so it was also called "Fifty strings".


    The status of Qin in ancient musical instruments is similar to that of piano today. Invented in the Fuxi era, it is a five stringed Qin, or Yun was written by Shennong (a textual research on ancient history: Fuxi made Qin and zither《 Outline of the book of changes: Fuxi Zhutong is a piano, and rope and silk are strings; It''s the devil《 Shuowen: Qin, string music made by Bao Shi《 Emperor Century: Shennong began to make a five stringed piano to symbolize the sound of feathers with palace and Shang horns. From the ninth Dynasty to King Wen, the second string was added, which was called Shaogong and Shaoshang.) Qin was invented in today''s western Shandong and Eastern Henan.


    The ancients said: "among the eight tones, only the string is the most, and the Qin is the first", "among the instruments, the Qin virtue is the best". This Qin word refers to the ancient Qin“ The zither player relies on the sound of heaven and earth "," communicate with gods and frighten ghosts and gods "," therefore, the Huba drum zither is full of birds and the yuanfish listen; Shi Kuang''s guqin, six horses feeding on the grass, the black crane stretching its neck "... Almost all the stories about music in ancient times came from Guqin. Guqin also has a very broad artistic expression. It is clear, simple, round and full of penetration and texture, so its expression scope is very broad: plain sand falling geese, elegant and pure plum blossom three lanes, leisurely and soothing questions and answers between fishermen and woodcutters, vigorous and rough Guangling San, sad and sad changmen resentment, and magnificent flowing water, There is almost nothing that Guqin can''t express.


    The piano surface is equipped with seven strings, thick and thin, arranged according to the pentatonic scale from the outside to the inside. The surface of the piano is also embedded with 13 piano emblems to identify the phonemes on the strings. In the performance, the right-hand plucking has three timbre changes: scattered, pan and press. Scattered sound is pronounced with empty strings, and its sound is strong and thick. Overtone is to touch the emblem with the left hand to make a light and floating music. Pressing the sound is to press the string with the left hand. Moving the pressing finger can change the pitch and play slide, vibrato or other decorative sounds. In addition, it can also play intervals such as the same degree, octave and fifth degree. There are a vast number of documents and biographies about guqin, which is a treasure of ancient music in China.


    Long, a wind instrument made of clay in ancient times, is round or oval with six holes. It originated from the labor and production activities of Han ancestors. At first, it may have been made by ancestors to imitate the calls of birds and animals to trap prey. Later, with the progress of society, it evolved into a simple musical instrument, gradually increased the sound hole, and developed into a melodic instrument that can play tunes.


    At first, most of them were made of stone and bone, and later developed into pottery. There are many shapes, such as oblate, oval, spherical, fish and pear, among which pear shape is the most common. The upper end of the ridge is provided with a mouthpiece, the bottom is flat, and the side wall is provided with a sound hole. Cuan experienced a long stage. About four or five thousand years ago, Cuan developed from one sound hole to two sound holes, and can play three sounds.


    An ancient musical instrument, shaped like a pear, was made of clay. It first appeared about 7000 years ago. Most of them were two tone holes and three tone holes. By the time of yin and Shang Dynasties, the five tone hole Taolong had been able to play the seven tone scale and some semitones, with simple, mellow and solemn pronunciation.


    Sheng, known as Lusha in ancient times, is a reed instrument derived from ancient times. It is the earliest instrument using free spring in the world. It makes sound through the reed in each pipe. It is the only harmonic instrument in wind instruments and the only instrument that can blow, absorb and make sound. Its timbre is clear and bright, its range is broad and its appeal is strong. In traditional instrumental music and Kunqu Opera, Sheng is often used as the accompaniment of other wind instruments such as flute and suona, adding pure fourth or fifth harmony to the melody. In modern Chinese Orchestra, Sheng can play the role of melody or accompaniment.


    Drum, needless to say. It appeared relatively early. Judging from the unearthed cultural relics found today, it can be determined that the drum has a history of about 4500 years. In ancient times, the drum was not only used for sacrifice, music and dance, but also used to fight the enemy and drive away beasts. It was also a tool for reporting the time and calling the police. With the development of society, the application scope of drum is more extensive. National bands, various dramas, quyi, song and dance, boat racing and lion dancing, festive gatherings and labor competitions are inseparable from drum instruments. The structure of drum is relatively simple, which is composed of drum skin and drum body. Drum skin is the pronunciation of drum. It is usually made by covering the drum frame with animal leather and vibrating it by knocking or beating. There are many kinds of drum instruments in China, including waist drum, big drum, Tonggu, flowerpot drum and so on.


    The so-called "drum, zither and harp" in ancient literature means that before the zither and Harp play, there is a drum sound as a guide. The cultural connotation of drum is broad and profound. The majestic sound of drum is closely accompanied by mankind. The ancient wilderness is moving towards civilization step by step.


    It can be said that this design is very clever and refreshing.


    After careful study, Qin Feng chose it directly.


    "Yes, this design is good!" Zhang Fuyin and others expressed their praise one after another.


    They were also interested in the design at that time.


    However, this design pattern is good or good, but it is difficult to build, and it is very expensive and takes up a lot of space.