The debate about the evil eye of death between Liangyi style and Zhigui is finally settled after residual pain.


    "As long as it''s alive, even God will kill it for you!"


    This kind of "living" is not necessarily a living thing. If we want to understand it, it should be a kind of "existence". As long as we can understand the "existence", even the abstract existence in concept, we can kill it!


    In "residual pain", Liangyi style can "kill" even the invisible "distortion" of shallower rattan, but from the performance of Shiki in "Yueji", he can''t kill this "abstract" thing.


    "That''s a bug, isn''t it?"


    After seeing the real eye of death in the two ceremonies, the fans were shocked.


    "If it''s the dead eye of the two rituals, wouldn''t one of them be able to completely destroy fate?"


    . It''s the biggest limitation of the two rituals.


    "Yoshiki Ono also has the assassination book of the seven night family. Although their family is human, they have physical qualities that surpass human beings. Can make all kinds of incredible action. This is the root of the seven night assassination. Although Zhigui killed his family. I haven''t learned all about it, but even so, in addition to the magic eye, it should be OK to deal with the two rituals of human beings. "


    "Although Liangyi style is more powerful than Shiki''s magic eye, Shiki is more powerful when fighting."


    After thinking for a long time, one suddenly realized, "after all, this is the eye of death. It''s just a brain hole? At first glance, Zhigui, an engineering dog, has a deeper understanding of what can be seen, so he is more proficient in the use of magic eye in this kind of thing - he can see the dead point. And the girl two rituals, with bigger brain holes, are very good at brain tonifying, so they can understand all kinds of abstract concepts.... "


    "Who told you that engineering people have no brains! Look at those strange inventions in the world. Which one has nothing to do with science and engineering? Science is the biggest brain hole


    The original dispute between Yu Zhigui and the two rituals soon developed into a dispute between brain holes, and then into a dispute between arts and science.


    "Although the two rituals are very buggy. But I think the last Asahi Fuji is more buggy than the awakened eye. "


    Speaking of the magic eye, naturally I have to mention another person who fought with the two rituals this time. Shallow rattan is.


    In "overlooking the scenery", one hand of Liangyi is a prosthesis made of Aozaki orange, but fans have always been curious about when and why Liangyi lost her hand - after all, she has such powerful magic eyes.


    And in the "residual pain" finally solved - shallow rattan is.


    The ability of the devil''s eye of Asahi tengnai is to distort what the eye sees. This is a kind of conceptual distortion. It doesn''t care about the hardness of the material. Asahi tengnai can distort as long as he thinks it can.


    The two rituals, in the battle with Asahi fujinai, showed their place beyond Shiki''s eye - even the "twist" can be killed, but they also lost a hand.


    Originally, there was a great limit to the ability of Tanabe''s magic eye - it must be where the eye can see. However, in the fight with the two rituals, she finally awakened another ability - perspective. In other words, her vision will not be limited to her own eyes. As long as she wants to see, she will not be blocked by anything.


    If there is a direct confrontation, this degree of shallowness may be comparable to the two rituals.


    However, Liangyi''s eye of death will not always be open, and Asahi''s attack can be said to be silent and defenseless. From the perspective of assassination, I''m afraid there is no more ferocious assassination ability in the world.


    It''s a pity to mention Asahi Tani in "residual pain". Even though Asahi Tani broke one hand of the two ceremonies, few people hate Asahi Tani... Her tragic experience is really annoying.


    For jiantongying''s experience, he Chen can make more appropriate changes, because mushroom''s setting of "madness" only serves the sales of GALGAME. Another way can also show her tragedy and her blackening, which will not affect the whole story.


    However, it''s troublesome to deal with it. If her experience is so mild that people can''t sympathize with her, it will appear that she is abusive and tyrannical. Let the audience understand her fierce revenge and feel sympathy for her.


    In the original theater edition, the opening depiction is too deep, or superficial. In the novel, it is just a brush stroke, and the focus is on the theme of "pain" and "punishment".


    He Chen uses stream of consciousness and montage techniques to weaken the direct performance of the picture and highlight the theme. Finally, what the audience can see is that such a thing is not directly shown on the screen, but the audience knows that this kind of thing has happened, and it is automatically completed in the brain.The depression brought by it is more heavy, and at the same time, it also stimulates the audience to show more sympathy for Asahi''s experience. The indiscriminate killing of Asahi not only didn''t make anyone feel disgusted and uncomfortable, but also made people feel relieved. However, after the joy, it is followed by deeper sorrow and pain - why is Asahi to suffer such a tragic thing?


    This is the most important point in the stream of consciousness technique - blank.


    The word "blank" refers to the creation of calligraphy and painting art in order to make the whole picture, composition more harmonious and exquisite and deliberately leave the corresponding blank, leaving room for imagination.


    From an artistic point of view, leaving blank is an art that takes "blank" as the carrier to render the artistic conception of beauty.


    From the application point of view, leaving blank more refers to a simple and comfortable concept.


    There are three types of blank space: word blank, art blank, philosophy blank and application blank.


    In a very common way, it is said that "after a night", "after a good job", "omit 5000 words" and so on. These are all superficial blank spaces. After the proper atmosphere has been made enough, it will leave enough space for people''s brain. No matter whether the author has this meaning or not, as long as people get their own feelings from it, then leaving blank is successful.


    This is "a thousand people have a thousand Hamlets.".


    Pain is a feeling of biology and a response to stimulation.


    The ability of Asahi Teng was sealed, which led to the painless disease. She lost the "pain" which should exist in the biological instinct.


    Everyone else has, and she doesn''t.


    She doesn''t know what pain is. Others will be sad because of pain. She won''t - because she can''t feel it, she can''t understand why others are sad.


    So, she lost the sense of survival.


    She doesn''t want others to find that she doesn''t feel pain, because people will treat her as a different person.


    What method does she use to hide that she doesn''t feel pain?


    Just don''t tell anyone she''s hurt. Teng Nai, who has never had any true friends, has always been very easy to cover up his wounds.


    For example, she sprained her ankle after the sports meeting in junior high school. Later, she found out by herself that several female companions with her did not question her excuse and said to leave.


    After she got married, she didn''t care about the wound because she didn''t feel the pain. But at that time, Heitong appeared. A strange senior saw the injury that she had been exposed, but was not noticed. Then he asked her, "does it hurt?".


    Tengnai recalled that when she was a child playing with the puppet bear at home, she cut her hand because she didn''t know she had a real knife in her toy. She didn''t know what happened, but she saw her mother''s sad eyes and was held in her arms.


    Mother comfortingly said: "injury is good, there will be no pain."


    As for Asahi, who grew up alone and slowly learned to cover up the wound and arm herself into a strong and normal person, the only two warm memories told her that pain is a thing that can make her warm. Saying that she is in pain can not only make her look like a normal person, but also get the care of others.


    Others will cry because of injury, so will she. However, she doesn''t cry because of pain. She just gets the love and warmth of her family after seeing others cry. She just learns to pursue the real sense of survival.


    It is because of this that she yearns for pain and pursues it. For others, pain is a kind of pain, a feeling that they don''t want to experience. However, for her, pain is a kind of happiness, because it can make her feel the real sense of survival, and make her feel alive!


    Shallow rattan and the two rituals are people on the edge of the realm, with great similarities. The difference is that Asahi has been unable to control his own state (from killing to killing). And the type of side, at least has been accompanied by black Tung. Even so, Liangyi didn''t kill shallowly. The reason is related to the inner struggle.


    "The realm of emptiness" - the "emptiness" of wutiao''s painting comes from his paralysis. He can only lie in bed and look up at the sky outside the window; The "emptiness" of Liangyi style comes from her own dual personality, the hole of Jialan left in her heart after Liangyi Zhi died.


    So the "emptiness" of the shallow rattan is her painless disease.


    "Emptiness" needs to be filled, and wutiao Wuhua fills its emptiness with its own death; After contacting, perceiving and thoroughly understanding "death", Liangyi style fills its own void with the courage of "life".


    And shallow rattan is the "empty", with pain to fill（ (to be continued)