Although the convenience of the Internet age allows people to open a notebook at home to see a variety of film resources, but it has to be said that some films are still sitting in the "dark" cinema and watching feel, after all, the cinema stereo effect and large screen is incomparable with the computer.
What''s more, the single dogs can hook up with each other in the cinema, and the lovers'' relationship in the cinema is rapidly warming up, which determines the cinema''s standing position.
Of course, the same old cinema will be eliminated by the times. Only the unique cinema with constant innovation and keeping up with the trend can go on step by step.
As an international metropolis of retro modern, cultural and material interaction, London''s film industry is quite prosperous. There are many independent characteristic cinemas, which can not only attract the attention of literary youth, but also ensure that they can win the market share in the PK of large chain commercial cinemas.
What''s interesting is that when it comes to British movies, whether it''s Angela or Emily Shaw, Eddie bollin and Arthur, who want to be stars, they all hear about the Harry Potter series... Unfortunately, Harry Potter is still a Hollywood movie.
Arthur suddenly realized that one of the biggest problems was whether there was such a thing as "British film". Even many British people were puzzled. Of course, common sense and reason told Arthur that of course it existed.
Well, the British intelligentsia and fans can provide a lot of evidence to analyze or explain the characteristics of British films. However, just like rose and rose, LCD TV and plasma TV, ordinary people have no interest and can''t tell the difference between British film and American film.
No way. From the beginning of World War I to today, Hollywood has occupied more than 80% of the British film market, so that British ZF began to implement import quota system for American films as early as 1920s.
After the end of World War II, high tariffs were imposed on Hollywood films for a time, but theaters and audiences would rather review old Hollywood films than support new British films... After 1950''s and 1960''s, with the big eight Hollywood companies taking Britain as a location and talent pool, British films were almost dwarfed into an outsourcing workshop of Hollywood''s production industry.
By the early 1990s, the British film industry had fallen to the bottom of history. The annual production of pure British films was only 67, while Hollywood blockbusters, including British and American co productions, almost monopolized 90% of the market share.
To tell you the truth, when he saw these materials, Arthur was staring at the dog. There were six or seven movies a year? It has already reached a miserable, pitiful and pathetic situation. The so-called British film is dead in name.
Therefore, they have to cheat themselves. Since 2001, the United Kingdom has begun to use the co productions of British Independent Li films and major American film companies to classify and count their own films. This classification objectively clarifies the identity of British local films, which makes the British films independent of the control of Hollywood big film companies come out, which is convenient for the government to give special support and subsidies to the independent Li films, so that the British local films can get a chance to breathe and revive.
However, generations of British filmmakers can not stand, and a red heart is toward Hollywood, and one by one hope to climb to the throne of the screen world Oscar.
Therefore, although the performance awards of the Oscars are almost contracted by the British, they are only adding points for American films. When they come back to make pure British independent films, their compatriots usually don''t buy them.
Over the past decade, the annual production of pure British films has gradually increased from dozens to more than 100 today, while the United States British co production has always maintained at around 20 films. However, the box office share of the latter has almost always been more than twice that of the former.
In the new century, the size of the British film market has leapt to the forefront of the world. On the contrary, it has been marginalized. During this period, the British film industry has also made great achievements. Even under the strong pressure of American films, British monoli films were marginalized from the initial stage, with extremely low market share and box office income. With the improvement of industrial competitiveness, the British Independent Li films have gradually started the process of de marginalization.
Well, to put it better, this is the UK''s only Li cinema market, which is the last stubborn of the British film industry. To put it worse, if we don''t deceive ourselves, what else can we do?
Leicester Square in London, UK.
The prince cinema, the headquarters of the Picturehouse cinema in London, is located next to the square and built in the early 1960s. It was originally designed for theatrical performances and then became a paradise for film lovers.
Over the past 50 years, the prince cinema has shown numerous films, with a variety of film arrangement types. Not only are classic movies often shown here, but also some other movies with rotten styles, which often leave a place for them. It can be said that the best films rarely seen in other places are the main movies here. It is simply a paradise for film lovers.
Now that he has decided to enter the entertainment industry, Arthur, who is not short of money, will not drag his feet. On the afternoon after listening to Angela''s plan, Arthur asked Angela to contact the person in charge of the Picturehouse cinema and told the other party that Arthur, a young billionaire, wants to buy them, and will visit in person the next morning to negotiate the acquisition."It''s a check for 45 million pounds -"
in the conference room, Arthur, dressed in a tall suit, with a confident and calm smile on his face, took the check from Angela, who was also smiling. Then he put the check in his finger and looked at the directors and executives of the Picturehouse line across the conference table with bright and sharp eyes.
"I like to be straightforward. If you agree to my acquisition, then this check will be yours. Your positions will still be retained. You will continue to help me manage and operate the" shadow House Cinema Line "!"
Ms. Bince, CEO of the shadow House Cinema Line, and other senior managers changed their faces slightly. Their eyes focused on the slightly shaking cash checks. The atmosphere in the conference room became extremely quiet, and the disordered breath was clearly audible.
"Cough... Mr. Boleyn, it''s kind of... We were very anxious about your offer yesterday Ms. Bince, the CEO of the cinema, withdrew her burning eyes from the large amount of checks. She squeezed out a smile on her face and suppressed her excitement. She also wanted to fight for more profits. Who didn''t want to sell more money when she saw Arthur''s ambition as necessary?
Arthur had a sharp eye, a smile and a slight shake of his head. He put the check on the meeting table, held out a finger, raised his mouth, and said quietly: "I said that I like to be straight forward. The valuation of your yard is between 40 million and 42 million. The price of 45 million pounds is reasonable.
The UK independent cinema market is booming, with three boutique chain cinema brands - your Picturehouse, everyman and Curzon.
In fact, the reason why some of the members have chosen to sign the contract in the cinema is that I have chosen to sign the contract.
How to choose? I''ll give you 15 minutes to discuss
With that, Arthur raised his wrist and looked at the time on his watch. Then he had a bright smile on his face. His teeth were very bright.
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